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OverView
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Arabic language and literature
Poetry is an open space, a tangled world of floating linguistic signs, which always tend toward openness to an existence in absence. Just as each text has its own uniqueness and distinction, every text calls for its critical approach, drawing it in just as metals are attracted to magnets.
Our study of Arabic poetry does not attempt to impose any specific method on it; rather, it responds to the stylistic characteristics of the text. It draws from various stylistic directions to meet the needs of the poetic text, without limiting itself to any particular approach to style, or to a fixed definition of style. It is, instead, a comprehensive, integrative vision that considers the text's needs at its core, then benefits from all stylistic and procedural means and the proposals of modern critical theories. Most of the studies we have undertaken are primarily concerned with the study of Arabic poetry and the appreciation of its aesthetic values, rather than with a particular theory. This allows the researcher the freedom to select and focus on specific critical and stylistic phenomena for study, and to choose the procedural tools to apply. They may adopt some critical proposals and disregard others, analyzing a range of different critical approaches. However, we will benefit from their spirit and practical procedures with certainty.
The meaning of any poetic text is not based on a pre-existing hypothetical meaning, but rather on a cumulative result of all its referential and metaphorical tools, along with its techniques in expression and symbolism. From this perspective, the manner of expression becomes a crucial part and an essential component of the expression itself. The full meaning of the poem thus becomes equivalent to the poem itself.
Hence, the way of poetic expression is inseparable from the poetic utterance itself. Therefore, any approach to a poetic text will seek to free itself from falling into the trap of fragmentation, viewing the text as a linguistic formation that opens up to an existence in absence, and as a dialectical relationship between signs and their meanings, which coexist in the realm of floating absence within the space of the text.
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Research Intersets:
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Arabic language and literature
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Qualifications
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Degree
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University
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Specialization
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Graduation year
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| 1 | PHD | Yarmouk University | . | 2002 |
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Experiences
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Academic Experience:
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2005 -Current :.,.,Jordan.
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Administrative Experience:
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Publications
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1-
Articulating case carrier
Descriptive and analytical research ,الإشعاع, 2024,Vol. ,no. . 2- The Aesthetics of Sensory Imagery in Ali Mahmoud Taha?s Collection of Poems ?al-Mall?? al-T??ih? (The Wandering Navigator) ,Jordanian Journal of Arabic Language and Literature, 2023,Vol. 19,no. . 3-
Dream in the Beginnings of the Arabic Novel
,- المجلة الدولية للعلوم الإنسانية والاجتماعية/ لبنان/, 2022,Vol. ,no. . 4-
"Objective Correlative"
Term (objective correlative) A second reading
,Al Wasl University Journal, 2021,Vol. 62,no. . 5- the critic of paper lexicon in the light of entrances and electronic lexicons
,Annales des Sciences Sociales et Humaines de Guelma University, 2021,Vol. 15,no. .
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Books
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Book Name
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Publisher Name
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Year
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| 1 | . | . | 2004 |
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